Sunday, 24 July 2011

It's the MUSIC



Everyday it’s changing so quickly.
One day there’s a neighborhood filled with groups of Roma children, mismatched clothes, newspapers filled with leftover scraps for the hoards of street cats, fat ladies scarved in bright floral bandanas  sitting on fabric spread on the ground.  Sipping tea in tiny tulip-shaped glasses, cracking sunflower seeds between their teeth.  The concrete around them a mosaic of discarded  black and white shells.  Lines of washing waving like banners across the street.
The next day it’s unrecognizable.  Chic boutiques all hard corners and edges.  Black and off-white designer clothes displayed at odd angles.
 
Where the fuck am I?

 Surely the old café filled with stooped old men sitting on woven-topped low stools, drinking bittersweet Turkish coffee from tiny doll-like cups, cigarette-stained fingers throwing tiny dice and slapping down backgammon pieces will still be on the corner.

Gone.
And in its place some new European-style espresso bar.

So why do I stay, when everything around me is daily morfing into a western world I left behind?



THE MUSIC

 When Dave Brubeck composed and released “Take 5,” it was hailed as a revelation.  5/4 count.  Wow! How revolutionary.


The ordinary Turkish boy sits beating 5/8, 7/8. 9/8 count on his thigh as easily as he breathes. Even the ice cream vendors, and corn-on-the-cob hawkers beat rhythms on their carts as complex as a jazz virtuoso.   Musicians here blend Greek , Armenian, Balkan and Turk music. The normal western music scale is comprised of twelve notes.  The Turkish: fifty-rwo.  Turks sing and play notes on instruments impossible for my grossly accustomed ear to even differentiate.

And when the music starts everyone leaps to his feet.  Hips swivel. Shoulders shimmy.  And young and old, Turk and foreigner dance together in  keyfi: celebration of life.

Roma Music


Selim Sessler, takes his seat, lifts his clarinet to his lips, nods his head to his musicians and transports us to his village of Kesan in  Thrace.  In the documentary film his son Bulent made about their village, it seemed like every other person was a proficient musician.  Baby boys in diapers beat sauce pans in complex rhythms.  Baby girls start wiggling their hips and shimmying their shoulders before they can stand. The men who aren’t musicians are frog catchers.                                                                 

Why wasn’t I born there?

I climb the 6 flights up to Araf (a world music club named for the place between heaven and hell).  The lifts not working again.  The wail of Selim’s clarinet pierces through to my solar plexus.  I don’t even bother to sit.  Just toss my bag onto the floor and start dancing.  Within a few minutes I’m joined by dancers in front and back of me.  Together we dance, shake, shimmy, smiling smiling.  Selim’s son Bulent strums the zither, donkey-eyes sails on the gypsy fiddle, and the darbuka player’s fingers takatakatakataka in lightning speed.


                                                                             

 There is no moment but now.  And this now, is my heaven.

For some videos of selim see below.






Friday, 1 July 2011

Gay Pride Istanbul

Taksim swirls in rainbow colors.  The Samba Protest Band beats drums, shakes tambourines, strikes cow bells.  Daniela decked out in a hot-pink boa, yellow, pink and green feathers like a bouquet in her wild black curls beats a Latin syncopation; Ruzgar, the 22-year-old trans Rasta, who used to call herself my “mother” (until she wrote me an email one day giving me the news that my “mother” had decided to stop shaving her/his beard and go through the world as a man and consequently was now my “father”) pounds a daval with big mallets, whistles, gestures and leads the Samba band,  his beautiful face covered with multi-colored sparkles. Men dressed in fishnet stockings, tiny cupey doll skirts, rainbow-colored headdresses strut as the parade makes its way from the square along Istiklal Caddesi (Independence Avenue). Lesbians with painted on twirling black moustaches and ballet tutus whoop and clap.  One man wears a Mexican sombrero.  One girl is dressed in a garish Thai costume.  The street is awash in rainbow color and gay drumming, whoops and dancing and big smiles.  From the terraces along the avenue people wave and cheer, some waving rainbow flags.   
For today Istanbul is a celebration of diversity. 

istanbul gay pride march sunday june 26

Wednesday, 20 April 2011

Song of Istanbul

The Song of Istanbul

Listen.  It’s a symphony.  An all-day symphony.
Beginning at the moment when dawn lifts its puffy eye lids .
Wait – even before first light it begins.

The prelude: andantino
Rhythmic steps of the Imam on his way to the mosque.
The click click click of his heels on the dew-slick cobblestones.
The electric clack as he turns on the microphone in the minaret's black chamber.
“Allah akbar!” he sings out at the precise moment when the sun slips its red-polished fingernails
over horizon’s gray wool blanket.

 The 1st movement in our symphony commences. Adagio

One after another after another after another, muezzins call the faithful to first prayer, 
                                      their voices
                        cascading
swooping
sashaying
winding
colliding
interweaving
in a helical
waltz of sound.

A primal elementary song of soul-searing Truth wafting through dawn’s damp. Its notes playing along oriental meridians, pushing mystic pressure points.

At Galata Tower, thick brown dogs lift their heads from slabs of cardboard placed there for them by doggy lovers.  They blink, yawn, raise themselves off their night time beds and howl along with the imam, welcoming the new day.

Mauve doves, gray-blue pigeons, and sea gulls ruffle their dew-coated feathers and flap flap flap their wings rising up to circle the Tower.
Seagulls dip and pivot, cawing their first entry into the performance
As the doves cooo cooo cooo in velvet undertones like do-wop back-up singers.

2nd movement: Andante
The parade begins:
"Demir! Demir!"
“Demir!” “Demir” Iron! Iron! Sing out the men pushing their weathered-gray, rough-hewn hand carts, beseeching souls to donate scrap metal to their carts.

Then a hush.

Slowly from the main street the low rumbling of voices--fruit and vegetable hucksters theme song.  The sound growing and growing until the truck turns the corner, enters our street, and the amplified voice of the driver blasts out:” Tomatoes! Potatoes! Green beans! And then in a note held like the finale in a street opera: “Oniooooooooooooonnnnnnnnnnnnnnns.”

“Swishswishswishswishswish.” 
The baskets are lowered from the windows, raised again filled with red red tomatoes, or green cucumbers, potatoes or onions.

Hush. Hush. Hush.

“Kastamonu sarimsak!”  “Taze Kastamonu sarimsak!” a husky male voice cries. Fresh garlic from the garlic capital – Kastamonu.
 
A warble begins from the corner.  The old mustachioed Turk walks his weary walk bleating his weary cry: 
“Yatakci ci ci ci  ci…” “Bedman  man man man man.” And what does this “bedman” do?  He carries a special tool.  A tool for pulling apart the cotton that has become lumped and hardened in the old cotton mattresses.  Re-fluffing it, adding space and air, transforming it to a soft lush bed of  drowsy comfort.
“Yatakci  i i i !” sung like the sound of shivering, teeth chattering—filling you with the longing for the warmth of a cozy bed on a dark cold morning.

The sun rises in the sky.  New performers appear on the stage.
“La la la la. La la la la la la. Ay Gaz!” blares the recorded song from the natural gas truck, steel-gray canisters of natural gas bouncing about in the back of the pick-up. A sweet female voice repeats this melodic refrain over and over as the “Yatakci” bleats and the fading melody of the vegetable man recedes.

3rd movement: Allegro
(Song of the women and children)

“Fatma! Hadi!” Fatma hurry!
“Buraya gel!”Come here!
“Anne! Anne! Anne!” Mother! Mother! Mother!
Squeals giggles orders complaints pleading squabbling shouts and shrieks!
Squeals giggles orders complaints pleading squabbling shouts and shrieks!
Squeals giggles orders complaints pleading squabbling shouts and shrieks!

“Ben geldim! Gidiyorum!  Ben geldim! Gidiyorum!” I came. I’m going.  I came. I’m going. The song of the poaji man.  Cherry cheeks.  White hair.  Short and squat.  He makes his rounds of the neighborhoods carrying his two woven baskets filled with Turkish cheese pastries.  The children run and flock to him like the pied piper.  They slap his hands and circle round as he trods the dirty old streets of Istanbul trying to sell a pastry or two.

Then another hush.  Early evening’s quiet.  The rustle of pots and pans.  The sizzle of frying onions.  The clatter of dinnerware. 
The final belch!

Grand Finale: The Night’s Vivace.

In Beyoglu the finale starts its crescendo.
The popcorn man pops his corn over his portable stove: pop pop pop pop
“Sicak poacha!” sings out Murat pushing the two-wheeled cart holding the warm fresh pastries baked by his wife. “Hot pastries!”

“Taze badem! Taze badem!” Fresh almonds! Cry out the men sliding through the alleys filled with young Turks, middle-aged Turks, men, women drinking beer, smoking cigarettes, poking at plates of meze. As the almond seller lowers his tray of peeled fresh almonds on ice.

Boom! Boom! Boom! Pounds the bass from the amplified music of the bars.  Boom! Boom! Boom Boom!
Taze badem!
Sicak poachi!
Balon! Balon! Calls out the man holding a bouquet of red balloons.
And gypsy musicians beat a 9/8 rhythm on their darbukas as the clarinet wails.
The pop corn pops, the sellers yell, heels click

Until 2 am or 3am.


night’s black berka slides over the form of beyoglu, covering her curvaceous body from the eyes of the lusty, and the 2-wheeled pop corn carts are chained up, the unsold almonds tossed into trash cans, music systems shut down, and the snores of saints and sinners alike saw away at night’s stillness.

Friday, 8 April 2011

Turning 'Dirty Harry' Diane in Egypt

Bread line in Luxur

The short plump receptionist at the Venus Hotel in Luxor, Egypt insisted that the street noise completely died down at 10.  He tugged at the brim of his NYPD baseball cap and eyed me up and down.

Staring into the darkness, wide awake at 2am, the scream of cars, motorbikes and trucks winding their way in front of the hotel was not exactly a lullaby.  And for reasons only known to the drivers, a cacophony of horn blaring was also part of the late night serenade. At about 3am I fell into a blessedly needed sleep only to be roused at 5am by the screaming of the muezzin from the mosque next door inviting the reverent to prayer.


We had come to Egypt post-revolution to support the brave souls who had struggled so valiantly and non-violently for democracy.  We would spend a little money in this now non-touristed country and I hoped to be able to write several articles when I returned to my home in Istanbul encouraging all who had ever wanted to visit Egypt to do so now.


 After breakfast at the hotel we made our way through the souk to the Nubian Coffee House.  Enroute every man in front of every stall barraged us with sales pitches.  Pushed shawls into our faces.  Kept up a non-stop verbal drone:
                “Madame where you from?”
                "Madame, you France?”
                “Madame, want pyramid?”
                “Madame, me best price.”
                " Madame, why you no stop?”
                 "Madame.  Madame. Madame."

We sat down at an outside table across from the local oven.  Men in long shirt-collared dresses and scarves wrapped around their necks stood in line waiting for the rounds of fragrant fresh bread to be passed out through the open window.  From the store next to us the smells of Egyptian musk, amber, and hibiscus wafted over to us. 
Having been grossly overcharged for a “Turkish coffee” the day before in Aswan, Daniela and I had vowed to ask the price before ordering. When the sweet young waiter came to take our order we ripped into him.
 “How much is it?” we demanded.
              “Five pounds,” he stammered recoiling from the onslaught of our aggression.
              “With sugar?” we asked, perhaps a bit more forcefully than necessary.
              “Yes,” he said eyes wide with alarm.
              “Okay, sorry,” we apologized somewhat abashed at our response.  And left a generous tip trying to make up for our rudeness.

I am not a rude person.  Daniela is not a rude person.  But something was happening to us.  The non-stop assault by touts and hawkers was eroding our normal decorum.  Overcharged, taken to places we didn’t want to go, our every step barraged by: “Where you from?  Madame come here! You want Felucca?  You know how much?  Best price.  Only 50 Egyptian pounds.  Maybe later, okay?” Men following us, talking incessantly into our ears, pushing their faces into ours, blocking our way: “You remember me?” My name Omar, Ahmed, Hamdi, Mohammed, Nassar and even Ziggy. “I wait here, okay?”  “You promise, okay?”  “You want husband? I have the big one.”

At first we tried to be polite.  Walking along the Nile on our first day in Aswan we were happy and relaxed.  “No thank you,” we said to the first tout.  He kept following.  “La shukran,” we tried in Arabic.  He continued pitching his felucca.  I turned, looked straight into his black eyes, and said firmly: “We took a felucca yesterday. We don’t want to take a felucca again today.” But undeterred he walked alongside us.  When he finally dropped off, the next one in a long line of white–robed touts attacked.  Lined up along the promenade above the Nile, they looked like roosting egrets waiting to pounce on prey.  They followed, mouths to our ears.  Over and over repeating prices, promises.  Blocking our path: Caleche, Madame?  Felucca, Madame?  Spices, Madame?
                “Pssst!”
                “Come here!”
                “Madame!”
We tried to ignore them.  But like hungry 
mosquitoes they whined in our ears. Like angry bees they buzzed around our heads. 
I started to get firmer:  “No!  We don’t want a Felucca or a Caleche.”  No!  We don’t want to drink anything. We do not want to buy anything right now.”
                “Maybe later?”
                “Yes, maybe later,” Daniela would say.
                “You look like Chakira,” they repeated over and over to Daniela. 
                “You look like Egyptian,” they told her.  She’s Italian.

Then we tried speaking in Turkish.  Acting like we didn’t know any English, we stared at them blankly, shook our heads as if not comprehending.  Jabbered in Turkish. Undeterred by a language they didn’t know they prattled on in French, Spanish, Italian.  Finally, I reached the end of my endurance.  I cracked.  I, a tiny, sixty-three-year-old, forty-six kilo woman suddenly metamorphosed into Dirty Harry.

The dark-green gowned, dark-skinned Egyptian trailed alongside us unsuspecting. Never realizing that the petite old lady he was hounding was really Dirty Harry.
                “Felucca, Madame?  You know price?  You know price?  Fifty Egyptian pounds.  Best price.  You take?”  He followed us delivering  a non-stop diatribe of pleading, coaxing, haranguing, wheedling.
                I turned in front of him and stopped. A woman whose shell had cracked wide open.  And emerging from the shell, sprung a fully-formed, and ultimately dangerous Clint Eastwood.  My eyes narrowed into slits of pure malice.  I had become Dirty Harry.
Feluccas on the Nile
                ‘I killed my last Felucca driver,” I hissed out between clenched teeth.  You want me to kill you?  Come on let’s go to your Felucca.  Make my day.”  I stood before him jaw set, body tensed.  I drew my index finger across my throat while staring him down.
                “No Madame.  Don’t kill me!” he whispered scuttling backwards until he turned and fled in the opposite direction.
                It was then that I noticed the look on Daniela’s face.
                “You scared me,” she said and then we both started laughing so hard we were bent over, tears rolling down our faces.
                 
I’m normally a mild-mannered woman.  A lover of humanity.  Compassionate.  Empathetic. I understand this is their job.  They have families to feed.  Bills to pay.  I forgive them all.
                
 But when a strange man touches me, blocks my path, lies to me or deceives me, I turn into Dirty Harry.  It took Luxor to provoke this transformation.

Then one smiling man shouted “Hello!  Welcome!”
We kept walking, ignoring him.
               “Welcome Madame!” he sang out again.
We avoided eye contact.
                “What’s wrong with you? Why are you so unfriendly?  I just welcome you to my country and you can’t even smile or say hello.  You are not women!”         

We tried to explain. “Because there are so many men who…”
                “No,” he insisted. “You are wrong!  You can smile.  Say hello.  You are not women!”  He turned and walked away scowling.

And in the end we’re the ones who are made to feel wrong.

We walked along the Corniche.  The blue Nile shimmering on our right.  The ancient one-sail feluccas gracefully skimming its calm surface, our heads bent in shame, feeling like we’ve failed ourselves, behaved less than admirably.

The massive papyrus columns of Karnak’s Hypostyle support our weight as we lean against them 
 spotlighted in rays of sunlight, reflecting on our journey.
Travel teaches so much.  Many of its lessons are unpredictable and unsolicited.  But always, a learning process.

Tuesday, 29 March 2011

Now is the TIme to Visit Egypt

Hamid, the camel, is waiting for you
Can you imagine the Pyramids without tourists?
There weren’t any. 
When we first arrived there was a group of maybe twenty-five Korean Christians.  All in identical red t-shirts with some slogan like “Asians for Jesus” written on them.  Baseball caps.  Comfy athletic shoes. Cameras hanging around their necks.
But they were leaving as we were arriving.  And there was just me and my friend Daniela and a few Egyptians on camels and horses trotting around the site. Girls squealing as the camels snorted. An occasional Frenchman or German walking along snapping photos. Egyptian hawkers selling red green blue silver pyramid momentos. .Papyrus paintings of Isis and Horos.
 
And silence.  The hiss of wind in our ears.  The pyramids rising out of the little block of desert allocated to them.  The suburban sprawl of Giza, now a part of Cairo, creeping like runaway weeds, spreading their vines to the very border of this antiquity.

And Hamid, the decked-out camel, jaws circling first to the right and then to the left, patiently stands in his festive blanket and dangling pom-poms in front of one of the most historic sights on earth, indifferent to it all.

 ***

Cairo was Cairo.  A massive, polluted, over-crowded, traffic disaster.  Life post-revolution the same as life pre-revolution.  Touts touted, taxi-drivers sat in unmoving traffic, the Metro delivered its passengers throughout the city, people shoved their way into the already packed cars.  The ladies of the “ladies only” car adjusted their head scarves. Big-eyed children held their mothers' hands and stared at the strange faces of the tourists.
People hussled to their jobs.  Waited in lines to buy hot rounds of pita bread fresh out of the oven. Lived their lives.                         

                    ***
But something had changed.
People’s attitudes.
“Welcome to Egypt!” they sang out, smiling.  At Tahrir Square hawkers sold the new red, black, and white flags everywhere. Pins.  Momentos of 25th February when Mubarak fled.  
“We are very proud and happy,” they told me.  Person after person giving a thumbs up sign and saying, “Revolution.”

“It’s going to be good,” said Mohammed, our waiter at a restaurant on the West Bank of Luxor.  “We are free now.  Things are going to improve.  We had our first election in thirty years.  The military here is good.  Not like the police.  The military helps the people.”

In Luxor, Daniela and I sit in spotlights of sunshine, leaning against the massive papyrus-shaped stone pillars in the Great Hypostyle Hall in the Amun Temple at Karnak.  For ten minutes we sit in complete silence.  No one else in sight.  Finally one German couple walks slowly through the pillar forest snapping photos.

And in the dim light of the Sacred Barque Sanctuary, six “new-agers” stand in a circle around the sacred relic.  Their arms at their sides, bent at a forty-five degree angle at their elbows, fingers spread wide, they create an “energy circle” and eyes closed, absorb the ancient mystic rays.     

But what is happening in Egypt is not mystic.  As day after day a country dependent on tourism for 11% of its national income awaits the return of the tourist, the new-found glow of power and joy may soon turn to scowls and empty bellies.

And what was frightening was the information given to me by a Spanish journalist friend who lives in Cairo.
“Fifteen thousand people arrested by the military during the protests have not been released,” Eva said.  “The people think the military is on their side, but two top military officials were reported as saying: ‘We’ll make them (the people) miss Mubarak.’”
In the English language Egyptian Gazette, an article tells me that police security guards have returned to the campus of Alexandria University.  Another article relates that all “strikes have been banned under the new Emergency Act.”
“It’s all temporary,” the new Prime Minister says, smiling and reassuring.

Meanwhile leaders of the revolution attempt to go from protesters to politicians: creating “parties,” establishing platforms, discussing reforms. The “Islamic Brotherhood compaignes among the poor and uneducated. And the military tightens its controls over the people.

What happens next in Egypt cannot be predicted. 
But for sure, if the tourists don’t return, the entire
population will suffer.


The blue Nile continues its path through the desert and palmeries.  White egrets swoop.  Single-sailed feluccas glide gracefully into the sunset.  And the people of Egypt await a new dawn of prosperity and freedom.         

Tuesday, 15 March 2011

My Flat Mates

My Flat Mates

I live with a Turkish couple in an old conservative neighborhood called Tepebasi, where the women all cover their heads.  The rents here are cheap and it’s a real neighborhood where everyone knows everyone else, gossips about everyone else, but also will go to great lengths to help everyone else.  I’m the Yabanci (foreigner).  In the summer, the old lady from across the street is always asking me when I’m going to sit on the yellow traffic barrier with her and eat sunflower seeds and pass the time
.
Actually it’s wrong to say I live with a “Turkish” couple.  The woman, Nefle (which means four-leaf-clover) is not Turkish, but hails from the south, an area on the border with Syria called “Antakya,” or the “Hatay.” Her people are Arabic.  And they are Shi’a Muslims, while Turks are Sunni.  

Photos of her family hang on the wall of the apartment.  Her father, an Iman or reverend, is shown in a long white beard hanging down his chest, a white skull cap, and a severe expression.  Her mother, who I met when she came to Istanbul for the wedding of Nefle’s youngest brother, wears a white scarf with little embroidered balls dangling over her forehead.  The mother doesn’t smile.  After a lifetime in which celebration was considered “sin,” a lifetime of being continually commanded by her husband, “There’s work to do, woman!” she gazes out of sad blue eyes. 

Nefle tells me women are like donkeys in Antakia.  Only there to serve men.  Men come first in the South.  “It’s in the Koran,” they say.  They sit twirling their prayer beads, shouting to their wives, “I’m thirsty.  Where’s my tea?  I’m hungry.  Where’s my food?”  The women wait on the men and eat the leftovers. 
Nefle comes from a family of nine siblings.  Every morning she awoke to the yells of her father:  “Get up you lazy good-for-nothings!  There’s work to be done in the garden!”
Meanwhile her mother retreated further and further into a land in which no tyrants ordered her around.  When she retreated too far, they sent her at different intervals to the “special” hospital.

Nefle kneading dough for manti
Nefle was lucky.  One of her older brothers, a documentary film maker, moved to Istanbul and the family allowed her to come and visit.  She was initiated into the bohemian life of Istanbul.  She never moved back.  Because she loved to cook, knew how to make the regional specialties of her area, she found work cooking at the restaurant of some crazy Black Sea sisters.  It was there she met Mustapha.

A one hundred and eighty degree opposite of Nefle’s father, Mustapha was a shy, soft-spoken, modern Turk who believed in equality of sexes.  Mustapha’s mother left his mean-spirited father (a rash and uncommon act in those days) and Mustapha’s father refused to allow him to ever see her.  The father put the young child in the care of his Aunt and Uncle who treated him more like an indentured servant than a son.  When he came of age, Mustapha ran off and joined the Merchant Marines.  For ten years he sailed the seas and worked in the steaming hulls of ships.  Spending docked time in Angola, China, New Orleans, he savored new experiences and glimpses of other worlds and cultures. And as sailors tend to do, drank himself senseless at every port.

Mustapha once told me: “Outside of Nefle, I have never loved another woman.”  He said this when I asked for an example of how to use the Turkish word disharda (outside.)
An unusual couple, they cook together, clean together, opened a restaurant and ran it together until the stress became too great.
Now Musti (as his close friends call him) plays the part of Gepetto in the children’s play Pinochio, and tours all over Turkey. Nefle makes manti Turkish ravioli and sells it to various restaurants.  At home, Musti and I watch Slavas Snow Show, clowns from Poland, whose video he found, and then for days afterward we go around repeating their miming and comic routines. Sometimes he asks if I want to watch a Beckett play he’s downloaded from the internet.  Nefle and I bellydance to classic Turkish music, and we all stoop and peer into the spinning washing machine, then turn to each other and say: “Wow!” Repeating this several times until we tire of the game.   

Wednesday, 9 March 2011

first snow

March 8.
Today was the coldest day of the winter and the first snow.  Icy wind whipped across the Golden Horn. Tiny specks of snow swooshed past my window blowing sideways, to the left.  The wind changed. The snow flurries changed direction and hurled themselves to the right.  Then a lull.  An updraft.  Suddenly the flakes began to drift upwards, toward the gray-white sky, riding some unseen current.
Tell me, do snowflakes float upwards in other places, or is it only in the mad chaos of Istanbul that the world goes topsy turvy and snow flies up instead of falling down?
I leave the house in my long black coat, hood tied tight, scarf wrapped snugly around my neck.
 Fierce gusts of wind wrench umbrellas inside out.  They lie discarded on the slushy ground like the skeleton remains of prehistoric flying reptiles.  Ragged wings flapping in the wind.
Everyone battles the wind, heads bent against the frenzied attack of snow.  The red tram gleams-- a spark of brilliant color on the bleak street.